Structure and Principle
January 25th, 2008Today I found out about a new “structure” for teaching writing, called the Jane Schaffer method. You can find an outline of what this looks like online. I’m struck by the regimentation of this method, not only suggesting how to structure particular paragraphs but dictating the transitions and content down to the sentence level. Although he spells her name wrong, this critic hits some of the problems with trying to teach writing through strict structures. He seems concerned that people will lose their creativity and love of writing. I think the issue is even deeper, as such rigid structures suggest to students that ideas are best conveyed in tight little packages like this.
Don’t get me wrong: I’ve found teaching principle and structure invaluable to helping students learn how to write better. I try to teach more open structures, though, that really focus on developing principles, and I make sure that students understand that these are exercises, what the principles are we are working on, and how they can be used in real writing. The problem with structure is when the teaching of structure is divorced from principle, when students learn this as an arbitrary structure, the right way to do things, or, most likely, the right way to perform properly to impress a teacher and get a grade.
Learning to write in constraints is important. When we move on to professional, academic, journalistic, or even creative and personal writing, we write through a set of constraints built off of the expectations of our readers and our cognitive processes as humans. Readers make evaluations about our writing, and as a result take in information, based on how we relate to those constraints. When teaching structures, it is also good to convey to students that this is also an exercise in learning a set of constraints and fitting to them, learning to enter into them and make them sing.
But when we build our structures too rigidly, students lose this. They are overwhelmed by the structure to the extent that they fail to get the principle. If its too tight, they view structure as something that you want to package your ideas into, rather then something that is really in the service of communication and expression.
The other danger is the hidden demon of evaluation, that a teacher can succumb to the temptation to use conformity to a rigid structure to evaluate a student rather then really engaging with and evaluating the effectiveness of a student’s writing. It’s a real temptation. Evaluating student writing is hard work.
